Against All Odds (Take A Look At Me Now) war die erste Soundtrack Auftragsarbeit von Phil Collins zum Film Against All Odds 1984. Ursprünglich hatte er bereits 1981 den Song zur Trennung von seiner ersten Ehefrau geschrieben, ihn jedoch nicht für sein Soloalbum aufgenommen. Er arrangierte ihn neu passend zum Film und nahm ihn innerhalb von zwei Tagen auf.

Against All Odds (Take A Look At Me Now) wurde für den Oscar als bester Song nominiert verlor jedoch gegen I Just Called to Say I Love You. Dafür gewann er einen Grammy.

Original



Credits: lippman

Cover

Für Mariah Careys Verhältnisse ist es eine wirklich gute Interpretation:



Credits: ezetty92

Bzw. gemeinsam mit Westlife:



Credits: micz010

Eine Frau, die wirklich Power Balladen glaubhaft singen kann Bonnie Tyler:



Credits: kvncttn

Der Song wegen dem ich den Beitrag überhaupt gemacht habe Postal Service:



Credits: LakeshoreRecords

Der übliche Dance Verschnitt von Deja Vu featuring Tasmin:



Credits: emiltheman2008

Eine ebenso unnötige Version gibt es auch noch von Kira.

Electro meets Klassik mit Dune hier.

Eine R&B Version von Montell Jordan:



Credits: sfretired

Stellvertretend für alle Castingshow-Mitglieder Steve Brookstein:



Credits: PatrickHaveron

Eine finnische Version von Ressu Redford:



Credits: Kinsky80

Samples

Cuban Link Take A Look At Me

Lyrics

How can I just let you walk away, just let you leave without a trace
When I stand here taking every breath with you, ooh
You're the only one who really knew me at all

How can you just walk away from me,
when all I can do is watch you leave
Cos we've shared the laughter and the pain and even shared the tears
You're the only one who really knew me at all

So take a look at me now, oh there's just an empty space
And there's nothing left here to remind me,
just the memory of your face
Ooh take a look at me now, well there's just an empty space
And you coming back to me is against the odds and that's what I've got to face

I wish I could just make you turn around,
turn around and see me cry
There's so much I need to say to you,
so many reasons why
You're the only one who really knew me at all

So take a look at me now, well there's just an empty space
And there's nothing left here to remind me, just the memory of your face
Now take a look at me now, cos there's just an empty space

But to wait for you, is all I can do and that's what I've got to face
Take a good look at me now, cos I'll still be standing here
And you coming back to me is against all odds
It's the chance I've gotta take

Take a look at me now

1973 veröffentlichte Dolly Parton einen der Hits, die sie zur Country Legende machen sollten Jolene vom gleichnamigen Album.

Er erzählt die Geschichte einer Hausfrau, die mit einer Rivalin um ihren Ehemann kämpft.

Es soll übrigens eine Antwort von Janis Ferberg auf den Titel aus der Sicht der fiktiven Jolene geben, die wiederum bittet, ihr doch den Mann zu überlassen - vielleicht ist das aber auch nur ein Country Mythos.

Original



Credits: ALLEN0955

Cover

Das wohl bekannteste Cover ist die Bluesversion der White Stripes:



Credits: GiulsZuzzi

Mindy Smiths Version ist ein wenig zahmer, trauriger, als das Original:



Credits: semevidencia

Jill Johnson Version ist wesentlich glatter produziert, nett, aber längst nicht so charmant:



Credits: uris1

Olivia Newton-John mit Funkgitarre:



Credits: alpha118

Eine Metal-Version von Queen Andrea:



Credits: BettiePudge

Welcome to the 80s - Synthpop mit den Strawberry Switchblade:



Credits: lelliesandremains

The Sisters Of Mercy mit einer dunklen Goth Version:



Credits: loftynl

Eine sehr ungewöhnliche Version von Susanna And The Magical Orchestra:



Credits: frrrrrankenstein

Die Coverversion von Alison Krauss ist sehr brav, allerdings könnte das auch am illustren Publikum liegen:



Credits: SidsCardShop

Ähnliche Versionen mit unterschiedlichem Tempo haben Reba McEntire und Rhonda Vincent performt bzw. eine Spur langweilger produziert von Sherrié Austin.

Eine sehr erdige Version von Norah Jones:



Credits: UnreleasedOriginal

Charmante Version von Lay Low:



Credits: powp0w

Ein Punk Cover von Me First And The Gimme Gimmes:



Credits: myDickIsaSausage

Eine sehr gute Popversion - trotz des Akzentes - Darcy Clay:



Credits: diddlydoodledave

Und eine wesentlich einfallslosere Popversion von Sophie Ellis Bextor:



Credits: andrekatina

Lyrics

Jolene, jolene, jolene, jolene
Im begging of you please dont take my man
Jolene, jolene, jolene, jolene
Please dont take him just because you can
Your beauty is beyond compare
With flaming locks of auburn hair
With ivory skin and eyes of emerald green
Your smile is like a breath of spring
Your voice is soft like summer rain
And I cannot compete with you, jolene

He talks about you in his sleep
Theres nothing I can do to keep
From crying when he calls your name, jolene

And I can easily understand
How you could easily take my man
But you dont know what he means to me, jolene

Jolene, jolene, jolene, jolene
Im begging of you please dont take my man
Jolene, jolene, jolene, jolene
Please dont take him just because you can

You could have your choice of men
But I could never love again
Hes the only one for me, jolene

I had to have this talk with you
My happiness depends on you
And whatever you decide to do, jolene

Jolene, jolene, jolene, jolene
Im begging of you please dont take my man
Jolene, jolene, jolene, jolene
Please dont take him even though you can
Jolene, jolene

1984 war für die Popmusik ein Jahr, das Geschichte schrieb, 60% aller Songs der 80s Sampler stammt aus diesem Jahr. Auch Talk Talk brachten mit Such a Shame die zweite Single des Albums It's My Life auf den Markt.

Original



Credits: clydelove

Cover

Eine sehr eigene Version von Polarkreis 18:



Credits: tarcs

Ein wenig Trance von Replique feat. Shirin:



Credits: Dariaija

Ebenso von Markus Güntner:



Credits: wicuskah

Eine Instrumentalversion vom Matthias Vogt Trio:



Credits: froeschi2000

Plastikpop von Sandra:



Credits: CODRA74

Furchtbarer nur noch von Crew 7.

Wunderbar wie fast immer Nouvelles Vagues:



Credits: Dikiwi

Lyrics

Such a shame to believe in escape
'A life on every face'
And that's a change
Till I'm finally left with an eight
Tell me to relax, I just stare
Maybe I don't know if I should change
A feeling that we share
It's a shame

Such a shame
Number me with rage
It's a shame
Such a shame
Number me in haste
Such a shame
This eagerness to change
It's a shame

The dice decide my fate
And that's a shame
In these trembling hands my faith
Tells me to react, 'I don't care'
Maybe it's unkind that I should change
A feeling that we share
It's a shame

Such a shame
Number me with rage
It's a shame
Such a shame
Number me in haste
Such a shame
This eagerness to change
Such a shame

Tell me to relax, I just stare
Maybe I don't know if I should change
A feeling that we share
It's a shame

Such a shame
Number me with rage
It's a shame
Such a shame
Number me in haste
It's a shame
Such a shame
Write it across my name
It's a shame
Such a shame
Number me in haste
Such a shame
This eagerness to change

Such a shame

1970 veröffentlichten die Flying Burrito Brothers als erste den Song Wild Horses. Dieses Datum war ein Geschenk der Songwriter Richards / Jagger an ihren Freund Gram Parsons. Die drei hatten sich auf einer Europatournee von The Byrds kennen gelernt. Die Stones selber veröffentlichten Wild Horses erst ein Jahr später, 1971, auf Sticky Fingers.

Original



Credits: Blondiegrrl

Cover

Ob Cover oder Original - die Version der Rolling Stones ist grandios:



Credits: sanforero79

Aus der Zeit, als Guns N' Roses Welt noch in Ordnung war, auch wenn die Version dank Axels Stimme leider längst nicht an die Originale heran reicht:



Credits: leandrocdt

Der Song von Charlotte Martin startet ca. ab 2.10 - eine solide aber nicht heraus ragende Version:



Credits: dontmovesoslow

Maroon 5 Sänger Adam Levine und Alicia Keys spielen eine Soulversion:



Credits: saound444

Was wäre The Prom ohne the Sundays verträumtes Cover gewesen?



Credits: Grungeman23

Ich werde wohl nie ein ein Fan von Casting Shows, hier also die Version von Susanne Boyle:



Credits: susanboylemusicuk

Da lobe ich mir die Grunge-Version von Bush:



Credits: kc70

Garbage lassen die Countryeinflüsse noch durch scheinen:



Credits: subhuman78

Eine ruhige Version von Deborah Harry:



Credits: christinamaruhn

Noch besser gefällt mir die Zusammenarbeit von Michelle Malone und den Indigo Girls:



Credits: jettrocker

Alleine könnt ihr erste übrigens hier hören.

Singer-Songwriter Kollegin Melanie übertreibt es dafür ein wenig mit den Streichern:



Credits: john768

Hearts Sideproject Lovemongers feat. Soundgarden Sänger Chris Cornell natürlich akustisch:



Credits: TannerCKG

Eine Klavierversion von Jewel:



Credits: tweetonsweet1

Folkrock mit Iron Wine:



Credits: nefertari1189

Mit einer richtig nostalgischen Hammond Orgel Honeytribe:



Credits: sekrph

Vom Bossa Nova Tribute Sampler Bossa n'Stones Karen Souza:



Credits: TATIMELMONO

Und Bluegrass von Leon Russell:



Credits: chubby28278

Ebenso Bluegrass, aber eine andere Interpretation von Old And In The Way:



Credits: 1bluesboy1

Und ein wenig leichter Jazz von Tim Ries, Bernard Fowler und Klüvers Big Band:



Credits: pelucre

Lyrics

Childhood living is easy to do
The things you wanted I bought them for you
Graceless lady you know who I am
You know I can't let you slide through my hands

Wild horses couldn't drag me away
Wild, wild horses, couldnt drag me away

I watched you suffer a dull aching pain
Now you decided to show me the same
No sweeping exits or offstage lines
Could make me feel bitter or treat you unkind

Wild horses couldn't drag me away
Wild, wild horses, couldn't drag me away

I know I dreamed you a sin and a lie
I have my freedom but I don't have much time
Faith has been broken, tears must be cried
Lets do some living after we die

Wild horses couldn't drag me away
Wild, wild horses, well ride them some day

Wild horses couldn't drag me away
Wild, wild horses, well ride them some day

Eines der schönsten One Hit Wonder der späten 50er Jahre stammt von Phil Philips - Sea Of Love.


Original



Credits: sorasmusic

Cover

Die bekannteste Version stammt wohl vom gleichnamigen Film Sea Of Love von Tom Waits:



Credits: Parmenides320

Ebenfalls mithalten kann die Version von Cat Powers:



Credits: RaymondMcCarron1

Robert Plant und Jimmy Page mit einer üppigen Version:



Credits: xxmusicheadxx

Eine Version nah am Original - Del Shannon:



Credits: DelRocksMySpace

Ein wenig Country mit Narvel Felts:



Credits: markowee

Eine Reggae-Version von Marcia Griffith:



Credits: mallykat

Ebenso wie eine von den The Heptones:



Credits: jigga1981

Oder von Israel Kamakawiwo'ole:



Credits: bocakpo27

Eine überraschend sanfte Version von Iggy Pop:



Credits: mysteriousmartian

Eine schöne Version von Marty Wilde:



Credits: laagar21

Für mich ein wenig zu viel Shakin Stevens:



Credits: shakyboyisback

Lyrics



Sea of love Lyrics
Artist(Band):Cat Power
Review The Song (18) Print the Lyrics


Send "Sea of love" Ringtones to Cell

Come with me
My love
To the sea
The sea of love

I want to tell you
how much
I love you

Do you remember
When we met
That's the day
I knew you were my pet

I wanna tell you
how much
I love you

Come with me
My love
To the sea
the sea of love

I wanna tell you
How much
I love you

1986 veröffentlichte die Cutting Crew ihren wohl größten Hit I Just Died In Your Arms Tonight. Die tödliche Orgasmusumschreibung sollte der größte Hit der Band werden.

Original



Credits: fizzybubbly

Cover

Northern Kings haben eine langsame dramatische Version aufgenommen, Power Metal:



Credits: Alkuteos

Gothic Metal von To Die For:



Credits: The666Gothika

Klingt stark nach Milli Vanili Stevie B.:



Credits: undermatrixx

Ähnliche farblose Dance-Versionen gibt es noch von Leana, Resource oder von Intonation feat Joee.

Ein Technoremix von Marc van Damme - so kann man einen Song zerstören:



Credits: Samil360

Aber es geht noch schlimmer Duncan & Wild.

Eine etwas schnellere Popversion von Faber Drive:



Credits: FaberDriveLuv

Etwas rockiger David Cook:



Credits: tiggy3323

Die Partyversion von Smokie:



Credits: SmokieTheBand

Samples

• Tupac
• Jay-Z
• DMX
• Smitty feat. T-Pain
• Mika
• Sunspot Jonz
• DJ Bobo

Lyrics

Hug !
I just died in your arms tonight
It must've been something you said
I just died in your arms tonight
I should've walked away

I keep looking for something I can't get
Broken hearts lie all around me
And I don't see an easy way to get out of this

Her diary, it sits by the bedside table
The curtains are closed, cat's in the cradle
Who would've thought that a guy like me could come to this

Oh, hug !
I just died in your arms tonight
It must've been something you said
I just died in your arms tonight

Oh, hug !
I just died in your arms tonight
It must've been some kind of kiss
I should've walked away, I should've walked away

Is there any just cause for feeling like this
On the surface I'm a name on a list
I try to be discreet, but then blow it again

I've lost and found, it's my final mistake
She's loving by proxy, no give and all take
'Cause I've been thrilled to fantasy one too many times

Oh, hug !
I just died in your arms tonight
It must've been something you said
I just died in your arms tonight

Oh, hug !
I just died in your arms tonight
It must've been some kind of kiss
I should've walked away, I should've walked away

It was a long hot night
Yes, she made it easy, she made it feel right
But now it's over, the moment is gone
I followed my hands, not my head
I know I was wrong

Hug !
I just died in your arms tonight
It must've been something you said
I just died in your arms tonight

Oh, I just died in your arms tonight
It must've been some kind of kiss
I should've walked away, I should've walked away
I should've walked away, should've walked away

1984 veröffentlichte Billy Idol Rebel Yell auf dem gleichnamigen Album. Die Idee dazu kam ihm, als er bei einer Veranstaltung die Rolling Stones Jagger und Richards aus einer Flasche Rebel Yell Bourbon trinken sah.

Original



Credits: bwdbb52

Cover

Grauenhaft, die Version von Children Of Bodom:



Credits: arokalypse

Das Übliche von Scooter:



Credits: KoMuhu2

Rock von Kill Hannah:



Credits: crapol

Gothicpop von Dope:



Credits: viper2374935

Eine ähnliche Version von Drowning Pool:



Credits: LTop13

Eine Parodie von den Quietschboys



Credits: sindyundroman

Eine gute Metal-Version von HIM:



Credits: Lorena7

Mathcore von Dillinger Escape Plan:



Credits: SingleServingChris

Metall mit Discobeats von Cybercide:



Credits: Part1k

Avant-garde Metal von Dog Fashion Disco:



Credits: xXTaraMascaraXx

Punkig von Discipline:



Credits: fetti94

und ebenso von Mr. Badwrench:



Credits: Charleyhorse13

Elektropop von Distored Reality



Credits: distortedrealityband

Eine wirklich vollkommen eigenständige Version von Northern Kings:



Credits: Alkuteus

Powermetal mit viel Keyboard von Sinner:



Credits: Metalnurse84

Und natürlich unvergessen die Sesamstraße Version:



Credits: sawing14s

Lyrics

Last night a little dancer came dancin' to my door
Last night a little angel Came pumping cross my floor
She said "Come on baby I got a licence for love
And if it expires pray help from above"

In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell- "more, more, more"
More, more, more.

She don't like slavery, she won't sit and beg
But when I'm tired and lonely she sees me to bed
What set you free and brought you to be me babe
What set you free I need you hear by me
Because

In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell- "more, more, more"

He lives in his own heaven
Collects it to go from the seven eleven
Well he's out all night to collect a fare
Just so long, just so long it don't mess up his hair.

I walked the world with you, babe
A thousand miles with you
I dried your tears of pain, babe
A million times for you

I'd sell my soul for you babe
For money to burn with you
I'd give you all, and have none, babe
Just, just, justa, justa to have you here by me
Because

In the midnight hour she cried- "more, more, more"
With a rebel yell she cried- "more, more, more"
In the midnight hour babe- "more, more, more"
With a rebel yell she cried "more, more, more"
More, more, more.

Oh yeah little angel
she want more
More, more, more, more, more.

Oh yeah little angel
she want more
More, more, more, more

1971 veröffentlichten Yes mit The Yes Album ihr drittes Studioalbum. Es ist ein Grundstein für den Erfolg der Band, die eine der Top 4 Progressive Rock Bands wurde.

Da die ersten beiden Alben der Band gefloppt waren konnte Roy Flynn, deren Manager, Atlantic Records zwar zu einer dritten Platte überreden, musste jedoch die Aufnahmekosten selber zahlen. Daher war er zu 5% an den Einnahmen aus dem Album beteiligt, was später noch zu diversen Rechtsstreiten führen sollte.

Da Atlantic Records kein Geld in die Werbung investieren wollte klebte der Roadmanager Michael Tait in ganz London Plakate. Ein Poststreik verschaffte schließlich Yes die erhoffte Werbung - die englischen Plattenläden konnten in der Veröffentlichungswoche ihre Verkaufszahlen nicht nach London melden, wo die nationalen Charts ermittelt wurden. Also wurde Richard Branson Londoner Laden Virgin-Records als alleinige Grundlage herangezogen. Da Yes in London eine große Fangemeinde hatten erhielt das Album eine hohe Chartplatzierung und landesweite Aufmerksamkeit.

Original



Credits: groovycleaner

Cover

Dream Theatre bekennen sich offen zu ihren Progressiverock Wurzeln:



Credits: CarlosBetinsky

Eine Power Metal Version von Jeronimo Road:



Credits: JigzagKT

Der Gitarrist Joe Bonamassa zeigt seine Fähigkeiten:



Credits: ramovie

Der "immer mal wieder" Yes Keyboarder Rick Wakeman:



Credits: ClassicStudioT

Lyrics

I. Life Seeker
(Anderson)

Sister Bluebird flying high above,
Shine your wings forward to the sun.
Hide the myst'ries of life on your way.
Though you've seen them, please don't say a word.
What you don't know, I have never heard.

Starship Trooper, go sailing on by,
Catch my soul, catch the very night.
Hide the moment from my eager eyes.
Though you've seen them, please don't tell a soul.
What you can't see, can't be very whole.

Speak to me of summer, long winters longer than time can remember,
Setting up of other roads, travel on in old accustomed ways.
I still remember the talks by the water, the proud sons and daughters that,
In the knowledge of the land, spoke to me in sweet accustomed ways.

Mother life, hold firmly on to me.
Catch my knowledge higher than the day.
Lose as much as only you can show.
Though you've seen them, please don't say a word.
What I don't know, I have never shared.

II. Disillusion
(Squire)

Loneliness is a pow'r that we possess to give or take away forever.
All I know can be shown by your acceptance of the fact there shown before you.
Take what I say in a diff'rent way and it's easy to see
that this is all confusion.
As I see a new day in me, I can also show if you and you may follow.

Speak to me of summer, long winters longer than time can remember,
Setting up of other roads, travel on in old accustomed ways.
I still remember the talks by the water, the proud sons and daughters that,
In the knowledge of the land, spoke to me in sweet accustomed ways.

III: Wurm (Instruemtal)
(Howe)

1971 schrieben Norman Whitfield und Barrett Strong Papa Was A Rolling Stone als Soulsong für The Undisputed Truth. Er bescherte der Band 1972 einen bescheidenen Erfolg (24 R'n'B Charts). Wie zu dieser Zeit üblich bearbeiteten beide den Song jedoch noch einmal für eine andere Band: die Temptations Version, ein 12 minütiger Funksong wurde ein weltweiter Hit.

Original

Last FM

Cover

Oft für das Original gehalten: The Temptations:



Credits: kamerikaan

George Michael mixte Seals Killer mit Papa Was A Rolling Stone:



Credits: polleke1

Eine funkige Version mit jazziger Trompete von Lee Ritenour:



credits: comshow

Reggaetime: Lee Perry



Credits: secretrecordslimited

Eine etwas hektische und verspielte Version der Jackson 5:



Credits: sadatp83

Modernerer Funk von Was Not Was:



Credits: manicmyna

Funkrock von Living Colour:



Credits: OtisGreen

Der Song startet erst ab ca. 2.30 - Soul von Isaac Hayes:



Credits: brunotilley

Natürlich ohne Ray Cooder, aber trotzdem großartig: David Lindley & El Rayo X:



Credits: Axoster

Klasse Version mit Orgel - The Pioneers:



Credits: thepowderedclouds

Eine Popversion von Regina Carter.

Eine deutsche Version von Stefan Gwildis Papa will da nich mehr wohn:



Credits: InsOhr

Lyrics

It was the third of September.
That day I'll always remember, yes I will.
'Cause that was the day that my daddy died.
I never got a chance to see him.
Never heard nothing but bad things about him.
Mama, I'm depending on you, tell me the truth.

And Mama just hung her head and said,
"Son, Papa was a rolling stone.
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."
"Papa was a rolling stone, my son.
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."

Well, well.

Hey Mama, is it true what they say,
that Papa never worked a day in his life?
And Mama, bad talk going around town
saying that Papa had three outside children and another wife.
And that ain't right.
HEARD SOME talk about Papa doing some store front preaching.
TalkIN about saving souls and all the time leeching.
Dealing in debt and stealing in the name of the Lord.

Mama just hung her head and said,
"Papa was a rolling stone, my son.
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."
"Hey, Papa was a rolling stone.
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."

Uh!

Hey Mama, I heard Papa call himself a jack of all trade.
Tell me is that what sent Papa to an early grave?
Folk say Papa would beg, borrow, steal to pay his bill.
Hey Mama, folk say that Papa was never much on thinking.
Spent most of his time chasing women and drinking.
Mama, I'm depending on you to tell me the truth. Mama looked up with a tear in her eye and said,
"Son, Papa was a rolling stone. (Well, well, well, well)
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."
"Papa was a rolling stone.
Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."

"I said, Papa was a rolling stone. Wherever he laid his hat was his home.
(And when he died) All he left us was ALONE."

Angels war die vierte Single Robbie Williams erstem Soloalbum nach Take That Life Thru A Lens. Der Song ist Williams größter Hit und soll Gerüchten zu Folge ihm erst die Fortsetzung seiner Solo Karriere ermöglicht haben.

Der irische Songwriter Ray Heffernan beanspruchte für sich, den Song über seinen tot geborenen Sohn geschrieben zu haben. Das irische Fernsehen produzierte eine Sendung über die Anschuldigung. Williams wurde jedoch nicht verklagt. Die offiziellen Song Credits geben neben Williams seinen damaligen Songwriting Partner Guy Chambers als Urheber aus. Ihrer Version zu Folge hat der Song Williams Onkel und Tante als Vorbild.

Original



Credits: Elizabethpuiki

Coverversionen

Eine Umsetzung als gregorianischer Gesang von Gregorian:



Credits: VampireOnCemetery

Eine richtig schön Rock'N'Roll Version von den Baseballs:



Credits: TheLittleJesz

Eine soulige Version von Beverley Knight:



Credits: meandog101

Ein wenig affektiert Jessica Simpson:



Credits: gusbruno15

Etwas glatt, aber nett anzuhören ist die Version der klassisch angehauchten Popgruppe All Angels:



Credits: Hayley1701

Etwas sparsamer instrumentiert ist die Version von Johnny Logan:



Credits: mizzlenz

Onehitwonder Moon Dust mit ihrem einzigen Chartserfolg - einer Plastikpopversion:



Credits: diddyberlin

Eine spanische Version ohne Veränderungen oder Originalität von Julio Iglesias Jr.:



Credits: jujuamakike

bzw. das weibliche Äquivalent von Yuridia aus Mexiko. Eine italienische Version stammt von Patrizio Buanne.

Der absolute Liebling meiner Großmutter Richard Clayderman:



Credits: RomanceMoment

Lyrics

I sit and wait does an angel contemplate my fate
and do they know the places where we go when we're grey and old
'cause I've been told that salvation lets their wings unfold
so when I'm lying in my bed thoughts running through my head
and I feel that love is dead I'm loving angels instead

And through it all she offers me protection
a lot of love and affection whether I'm right or wrong
and down the waterfall wherever it may take me
I know that life won't break me when I come to call
she won't forsake me I'm loving angels instead

When I'm feeling weak and my pain walks down a one way street
I look above and I know I'll always be blessed with love
and as the feeling grows she breathes flesh to my bones
and when love is dead I'm loving angels instead

And through it all she offers me protection
a lot of love and affection whether I'm right or wrong
and down the waterfall wherever it may take me
I know that life won't break me when I come to call
she won't forsake me I'm loving angels instead

And through it all she offers me protection
a lot of love and affection whether I'm right or wrong
and down the waterfall wherever it may take me
I know that life won't break me when I come to call
she won't forsake me I'm loving angels instead